Literary Criticism

A Voice Still Heard: Selected Essays of Irving Howe by Irving Howe, Nina Howe

By Irving Howe, Nina Howe

Man of letters, political critic, public highbrow, Irving Howe was once one in all America's so much exemplary and embattled writers. given that his dying in 1993 at age seventy two, Howe's paintings and his own instance of dedication to excessive precept, either literary and political, have had a full of life afterlife. This posthumous and capacious assortment comprises twenty-six essays that initially seemed in such guides because the New York overview of Books[/i, the [i]New Republic[/i, and the [i]Nation[/i. Taken jointly, they exhibit the intensity and breadth of Howe's enthusiasms and variety over politics, literature, Judaism, and the tumults of yankee society.

[i]A Voice nonetheless Heard is vital to the knowledge of the passionate and skeptical spirit of this lucid author. The publication varieties a bridge among the 2 parallel organisations of tradition and politics. It exhibits how politics justifies itself by way of tradition, and the way the latter activates the previous. Howe's voice is ever sharp, relentless, frequently scathingly humorous, revealing Howe as that rarest of critics—a actual reader and author, one whose readability of fashion is as a result of his disciplined and candid brain.

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Living w/ a woman who is good to me makes me feel married when I’m w/ another woman” (“Going Away” Journal, July 11, 1957; Sigal’s underscoring in pencil). In the novel, Anna, driven by jealousy, distrust, and curiosity, returns to Saul’s room when he is away—not once but repeatedly—to peek into his journals, compelled to know not only what he is up to when he is not with her but also what he privately writes about her. At one point, she reads “with cold triumph” his comment, “Anna’s jealousy is driving me mad” (GN 539).

A problem. I guess I stop sleeping w/ other women, which more or less I’ve done. It will probably kill me” (“Going Away” Journal, October 16, 1957). Though the colloquial use of the verb, “kill,” which appears more than once in Sigal’s journal entries during this period, would not be remarkable in private jottings of the time, the intense tone of the comments hints at the heightened tensions and points of emotional conflict that Sigal registered early in his relationship with Lessing. This entry was likely written during the same month in which he recorded his discovery that Lessing was secretly reading his journal.

However, Saul finally breaks the cycle by moving in a new direction. ” (565). Anna admits—not only to Saul but, for the first time, to herself—that what prevents her from doing so is a “writer’s block” (565). Saul is surprised because he regards Anna, the author of a published novel, as a successful writer. Indeed, he envies her artistic superiority, admitting that he much prefers the patriarchal social arrangement in which “women are second-class citizens” (565). ” 32 Literary Half-Lives Clancy Sigal/Saul Green—II In the fall of 1957, Clancy Sigal described in his journal his dilemma regarding fidelity.

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