Adobe After Effects 6.5 Magic by James Rankin, Anna Ullrich

By James Rankin, Anna Ullrich

Animation Presets, a complicated Clone device, scripting help, and a strong new colour correction process are only some of the purposes you are chomping on the bit to get all the way down to paintings with After results 6.5. In those pages, a grasp of the medium enables you to do exactly that, proposing a chain of initiatives that discover each element of Adobe's animation and results powerhouse. via concentrating on the parts that may be complicated for pro clients - no matter if simply because they current thorny concerns or simply because they draw on thoroughly new beneficial properties - this quantity offers the centred, useful guideline you want to maximize your After results productiveness. each one lesson presents need-to-know suggestions, confirmed suggestions, and top practices for quite a few After results 6.5 capabilities: from uploading and handling pictures to viewing and enhancing layers, animating kind, and extra. The spouse CD comprises QuickTime educational video clips, resource code, and records for the entire book's tasks.

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2. Go to time 1;15, and change the Scale to 0%. 3. Copy these two keyframes. 39 40 4. Go to time 1;08, and paste the keyframes on layer 2. Paste the keyframes again on the remaining layers at the following points in time: Layer 3: 1;11 Layer 4: 1;14 Layer 5: 1;17 Layer 6: 1;20 The staggered Scale keyframes [View full size image] The squares should now radiate out for 25 frames, hold for 10 frames, and then collapse into the center for 25 more frames. Save your work, and preview the animation. Generating the other transitions You need to create the same transition in the other three colors chosen for this spot: 1.

35 36 In the previous chapter, you worked almost exclusively with 2D solids to create cool and interesting effects. You'll use those same techniques in this chapter but add a bit of 3D and some dynamic animations to the brew. And since this project relies on solids for its transitions and layout, you can easily transform the solids even further or swap out the solids for your own content to make the project your own. mov file from this chapter's folder on the DVD to see the spot you'll create. This project continues Chapter 1's theme of working with solids in place of video, animation, or other footage.

3. Duplicate the layer. 4. ) This marker lets you quickly return to this point in time by pressing the 1 key. 5. Turn on the 3D switch for each layer in the Timelines's Switches column. 6. Set the Position of BG Square 1 to 360, 270, 88, and add a Position keyframe. 7. Set BG Square 1's Scale to 48, 48%, and add a Scale keyframe. 8. Set the Position of BG Square 2 to 596, 32, 88, and add a Position keyframe. 41 42 9. Set BG Square 2's Scale to 18, 18%, and add a Scale keyframe. Creating the 3D squares background You've positioned the squares where you want them to land after they spin in space.

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